Franz Joseph I (-German, I. Ferenc József in Hungarian, in English Francis Joseph I Charles, see the name in other languages) (18 August 1830 - 21 November 1916), Emperor of Austria, reigned from 1848 until 1916 and King of Hungary from 1867 until 1916.
Franz Joseph died in the Schönbrunn Palace in 1916, aged 86, in the middle of the war. He is said to have died singing "Gott erhalte, Gott beschütze, Unsern Kaiser" ("God Save the Emperor"). He was succeeded by his grandnephew Karl. But two years later, after defeat in World War I, the Austro-Hungarian Monarchy dissolved.
His 68-year reign is the third-longest in the recorded history of Europe (after those of Louis XIV of France and Johannes II, Prince of Liechtenstein).
Elisabeth of Bavaria (24 December 1837 - 10 September 1898) was Empress of Austria and Queen of Hungary as spouse of Emperor Francis Joseph I. From an early age, she was called “Sisi” by family and friends.
While Elisabeth's role and influence on Austro-Hungarian politics should not be overestimated (she is only marginally mentioned in scholarly books on Austrian history), she has undoubtedly become a 20th century icon. Elisabeth was considered to be a free spirit who abhorred conventional court protocol; she has inspired filmmakers and theatrical producers alike.
Franz Joseph died in the Schönbrunn Palace in 1916, aged 86, in the middle of the war. He is said to have died singing "Gott erhalte, Gott beschütze, Unsern Kaiser" ("God Save the Emperor"). He was succeeded by his grandnephew Karl. But two years later, after defeat in World War I, the Austro-Hungarian Monarchy dissolved.
His 68-year reign is the third-longest in the recorded history of Europe (after those of Louis XIV of France and Johannes II, Prince of Liechtenstein).
Elisabeth of Bavaria (24 December 1837 - 10 September 1898) was Empress of Austria and Queen of Hungary as spouse of Emperor Francis Joseph I. From an early age, she was called “Sisi” by family and friends.
While Elisabeth's role and influence on Austro-Hungarian politics should not be overestimated (she is only marginally mentioned in scholarly books on Austrian history), she has undoubtedly become a 20th century icon. Elisabeth was considered to be a free spirit who abhorred conventional court protocol; she has inspired filmmakers and theatrical producers alike.
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